Monday, September 16, 2013

Everybody Digs Bill Evans


I haven't featured many quieter pieces on this site, however this evening I'm going to make an exception since this timeless recording titled "Peace Piece" by Bill Evans has been a favorite of mine for years and a track that I have been listening to a lot recently. This calm and very meditational composition is featured on the pianist's 1958 landmark record Everybody Digs Bill Evans. The album not only featured brilliant post-bop compositions like "Minority" "Young and Foolish", "Night and Day", "Peace Piece" and others, the album was also fitted with a very unique album cover, that included quoted endorsements from jazz heavy-weights Miles Davis, George Shearing, Ahmad Jamal, and Cannonball Adderley (as shown above). Overall, a very moving and powerful effort from Evans, who was at the time, still in the early stages of being a composer and bandleader. It's true everyone might not dig Bill Evans, but in my opinion, they certainly should. Enjoy!

Bill Evans - Peace Piece


Thursday, September 12, 2013

John Coltrane Tribute TONIGHT!

SFJAZZ kicks off the first Hotplate show of their 2013-14 season with The Marcus Shelby Quartet performing music from John Coltrane's groundbreaking 1960 recording Giant Steps. For a little background of the monthly event, SFJAZZ Hotplate is a concert series at the Joe Henderson Lab inside the SFJAZZ Center that features many of the Bay Area’s most gifted musicians re-imagining a famous recording of a jazz legend. There is another layer to the artistic programming of the event, as we choose artists whose birthday falls within the same month as the show. Coltrane's birthday is September 23rd and that's why his tribute is this month.

Performing with Marcus Shelby tonight will be Howard Wiley (tenor saxophone), Glen Pearson (piano) and Malachi Whitson (drums). The show features two sets, with the first at 7PM, followed by a 8:30PM performance. Throughout the night (when the band isn't performing), I (DJ Pat Les Stache) will be spinning some of my favorite Coltrane selections (which easily fulfills a dream that I've had for a long time of spinning a pure Coltrane set). I've seen Shelby and Wiley do a Coltrane tribute before, and it was absolutely mind-blowing, therefore I highly recommend checking out this event.

To buy tickets or to learn more about the monthly Hotplate Series, visit sfjazz.org.

John Coltrane - Giant Steps


Monday, September 9, 2013

Cannonball Adderley - Mercy, Mercy, Mercy


After taking most of August off from writing, to hopefully re-charge a little after what I would call a very transitional summer, I look forward this fall to getting back on track with 3-4 posts a week, so stay tuned...

With that being said, I thought it would therefore be fitting to feature The Cannonball Adderley Quintet's classic live recording of the soulful jazz gem "Mercy, Mercy, Mercy", a composition that Cannonball himself referred to as the appropriate "response" to such unexpected adversity in one's life. This composition was written by pianist/composer Joe Zawinul, who played with Cannonball for most of the sixties, and also features Vic Gatsky (bass), Nat Adderley (Cornet) and Roy McCurdy (drums). An interesting fact about this recording is that even though the album states that the record was recorded live at The Club in Chicago, the album was actually recorded live at the Capitol Tower in Hollywood, California. Regardless, it's a solid album from start to finish that also helps highlight Cannonball's charismatic personality, as he often engages the crowd throughout the recording. Enjoy!

The Cannonball Adderley Quintet - Mercy, Mercy, Mercy


Wednesday, August 21, 2013

The Loss of Two Giants



Here is a post I did yesterday for the SFJAZZ Blog, and I thought I would also share it on this site. Enjoy!

This month has turned into a heart-breaking time for the jazz community, as we've sadly lost two greats over a span of a few weeks, with first the passing of George Duke earlier in the month, and most recently Cedar Walton, who died early yesterday morning at the age of 79. Even though the two were vastly different in their style and approach, both left a tremendous footprint in jazz.

After getting his start with Don Ellis and Jean-Luc Ponty in the sixties, George Duke went on to make a name for himself as a leader in the seventies with a number of well-respected fusion recordings including 1970's Save the Country, 1974's Faces in Reflection and 1975's The Aura Will Prevail, as well as his collaborative efforts with other notable musicians like drummer Billy Cobham, saxophonist Cannonball Adderley, Brazilian percussionist Airto, bassist Stanley Clarke, Frank Zappa and many others. The innovative keyboardist, composer and producer was always breaking down boundaries with his music, incorporating jazz, funk, fusion, and soul elements into his recordings, which therefore led to a wide and highly diverse following. Overtime, Duke became a sought-out producer working with artists like Dee Dee Bridgewater, Smokey Robinson, the Pointer Sisters, Gladys Knight, his cousin Dianne Reeves and many others. His ties to the Bay Area were also very strong, as he was born in San Rafael, California and went on to study at the San Francisco Conservatory of Music.

Cedar Walton, on the other hand followed a much different path, making his mark earlier in the hard-bop scene during the fifties and sixties, most notably with Art Blakey & The Jazz Messengers. Before stepping out as a leader in the seventies, the legendary pianist was featured on many notable recordings led by jazz heavy-weights like Clifford Jordan, Jimmy Heath, Kenny Dorham, Art Farmer, Benny Golson, Abbey Lincoln, Lee Morgan and many others. Interestingly enough, Walton also recorded with John Coltrane in 1959 during the Giant Steps sessions, even though the alternative takes weren't released until much later on a CD-reissue. During the seventies the pianist released many solid recordings as a leader, including a few under the Eastern Rebellion name, which included collaborations with other jazz greats like bassist Sam Jones, drummer Billy Higgins, saxophonist Clifford Jordan, Bob Berg, and George Coleman. Walton was inducted as a member of the NEA Jazz Masters in 2010, and remained active all the way up until his passing, consistently recording and touring. Fellow NEA Jazz Master and legendary vibraphonist Bobby Hutcherson calls Walton, "one of the most prolific composers and improvisors of the post bop-era." Over the years, SFJAZZ is proud to have presented the pianist several times.

Both George Duke and Cedar Walton leave behind strong legacies in both the jazz world and beyond, and will sadly be missed.

Recommended Reads
George Duke Is Dead at 67 by JazzTimes' Jeff Tamarkin
George Duke, Legendary Jazz Keyboardist, Dies by NPR's Eyder Peralta
Jazz Pianist Cedar Walton Dies by NPR's Mark Memmott

Wednesday, August 14, 2013

SAY IT LOUD! - THIS FRIDAY!!!


Come check out the newest jazz-themed happy hour in the bay area Say It Loud! THIS FRIDAY, AUGUST 16TH in Oakland at Disco Volante. This new happy hour function will feature me (Pat Les Stache) spinning 3 hours of funky groove-orient soul jazz. Everything from Roy Ayers, Donald Byrd, Gil Scott-Heron, Johnny "Hammond" Smith, Gary Bartz and Blue Mitchell, to funky and rare selections released off of Strata-East, Black Jazz, Detroit's Tribe, Mainstream Records and much more. The event will take place from 7pm-10pm and lead right into a live set from San Francisco's abstract jazz-funk trio Broun Fellinis.

SAY IT LOUD!
"A Soul-Jazz Happy Hour"
w/ DJ Pat Les Stache (SFJAZZ Hotplate, Cabana Disco)
7pm-10pm at Disco Volante (347 14th St Oakland, CA 94612)
FREE!!!!

View Facebook Event Page

Event Flyer designed by Amy Wo

Monday, August 12, 2013

Nina Simone - The Thrill Is Gone


Here is a dark, yet beautiful rendition of "The Thrill Is Gone" by Nina Simone off her 1972 album Gifted & Black. This version, which was originally written back in the thirties by Broadway songwriters Lew Brown and Ray Henderson, has a strong spiritual feel and tone throughout that really helps capture the feeling of what you might think of when you read the song's title. This instrumental track also helps highlight Nina as a gifted pianist, a quality that sometimes get's over-looked due to her mastery as a powerfully strong vocalist. I usually don't feature selections this dark on this site, however this recording really moved me from the first time I came across it. Enjoy!

Nina Simone - The Thrill Is Gone


Tuesday, August 6, 2013

George Duke, 1946-2013


Saluting the life and music of jazz keyboard great George Duke, who sadly passed away yesterday (8/5/13) at the age of 67 after a battle with lymphocytic leukemia. The innovative musician, composer and producer crossed many musical boundaries including jazz, funk, fusion, disco and R&B. The keyboardist was always pushing the envelope, never settling to be boxed in by one particular genre which therefore led to a wide and diverse following. Definitely one of the more innovative and forward-thinking musicians of his time. He will certainly be missed.

George Duke - Soul Watcher



George Duke - Come Together



George Duke - Floop De Loop



Recommended Reads
George Duke Is Dead at 67 by JazzTimes' Jeff Tamarkin
George Duke, Legendary Jazz Keyboardist, Dies by NPR's Eyder Peralta

Thursday, August 1, 2013

Buddy Terry - Abscretions



With tomorrow being the 'First Friday' addition of SAY IT LOUD! at Disco Volante in Oakland, today I thought I would feature the funky jazz cut "Abscretions" by saxophonist Buddy Terry. This soulful gem was one of the standout selections on Terry's 1971 Mainstream Records release Awareness. This Bob Shad produced session also features Cecil Bridgewater (trumpet), Roland Prince (guitar), Stanley Cowell (piano), Buster Williams (electric bass), Mickey Roker (drums) and percussionist Mtume.Overall, another solid soul jazz release from Shad's Mainstream label.

Buddy Terry - Abscretions